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When writing family drama, it is easy to slide into melodrama. Here is how to avoid it.

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In real families, the worst fights are not loud. They are the silences. The phone call that is not returned. The seat left empty at the table. The compliment conspicuously not given to one child while given to another. Great family drama uses subtext. What is not said is often more powerful than dialogue. When writing family drama, it is easy to

To move beyond cliché, a writer must understand the pillars that support a complex relationship. When writing family drama