Months later, Raka stood once more on the embankment, the city spread before him in a patchwork of market stalls and satellite dishes. He thought of the 3GP file, its blocky frames and compressed memories, and of the people who’d left comments that were more like tiny monuments. The internet had given him access to an old video; Bandung had given him an endless stream of new ones. Both were forms of remembering—one mediated by servers and encodings, the other by wet streets and human speech.
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