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At sixty-two, Vivienne was what the industry politely called a "legacy." To the general public, she was an icon of the 1990s, the smoky-voiced seductress who could command a screen with a single arched eyebrow. To the studio executives in their glass-walled offices in Los Angeles, however, she was a liability. She was a woman who had aged—gracefully, certainly, but undeniably.

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: Secondary characters defined entirely by their relationship to younger protagonists. At sixty-two, Vivienne was what the industry politely

The industry operated on a demographic fallacy: that young men drove box office sales, and thus, female leads had to be young enough to project fantasy. Actresses like Goldie Hawn, Diane Keaton, and Jane Fonda managed to carve out niches, but they were the exceptions that proved the rule. For every Something’s Gotta Give (2003), there were hundreds of scripts where the 45-year-old male lead was paired with a 25-year-old co-star, while actresses his own age played his mother. Do you need help from version 0