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A properly encoded file at a moderate bitrate (say, 8-10 Mbps) can outperform a high-bitrate (20 Mbps) 8-bit H.264 file. It preserves the film’s cinematic grain structure, avoids color contouring, and maintains shadow detail. That said, such quality is pointless if the source material is a poorly ripped copy. Even the best codec cannot repair a bad source. hdmovies4utvlalaland20161080p10bithevc new