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As Hollywood moved into the Vietnam era and the post-Vietnam cynicism of the 1970s and 80s, the portrayal of romance darkened. In films like The Deer Hunter (1978) or Coming Home (1978), romance is no longer a noble pursuit; it is a casualty of trauma.

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These storylines not only add an emotional layer to the war movie genre but also provide a nuanced exploration of the human experience during times of conflict. As Hollywood moved into the Vietnam era and

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A stylish thriller about two world-class assassins—an American intelligence officer and a French Resistance fighter—who fall in love during a mission in Casablanca, only to have their relationship tested by the suspicions of war.