However, formal dubbing infrastructure was nascent. Unlike Italy or Germany, Indonesia had no major dubbing studios with standardized training. Instead, production houses employed a small pool of voice actors, often theater practitioners or radio announcers, who worked on multiple characters across different films. This led to a distinct “RCTI dubbing style” characterized by:
For many Indonesian families, watching Home Alone 2: Lost in New York
This dub is noted for being more literal in its adaptation. While accurate, some viewers feel it loses the "flavor" of the original TV version.
The Indonesian dubbing of Home Alone 2: Lost in New York is more than a translation; it is a palimpsest. Over the original visual track of Macaulay Culkin, a new narrative layer has been written by Indonesian voice actors, translators, and ultimately, Indonesian audiences. While technically imperfect, this dub succeeded in its primary goal: to make an American child’s adventure resonate deeply with Indonesian viewers.
is a quintessential holiday tradition, often experienced through iconic local television broadcasts. While the film is a global classic, the Indonesian dubbing
Ini adalah bagian penting dari mengapa dubbing ini (membantu):
Meanwhile, Harry and Marv, the bumbling burglars from the first film, are also in New York City, plotting their next move. When Kevin crosses paths with the duo, he uses his quick wit and resourcefulness to defend his new surroundings, leading to a series of comedic showdowns.
