He’d spent years searching. Vinyls warped in a flooded basement. A cassette of “Entre el Cielo y el Suelo” chewed up by a cheap car stereo. CDs that got scratched, borrowed, and never returned. He had fragments. A best-of here, a live recording there. But never the completa . The whole story.
: Their self-titled debut featuring early hits like "Hoy no me puedo levantar" and "Maquillaje". ¿Dónde Está el País de las Hadas? (1983) : Includes the classic "Barco a Venus". Ya Viene el Sol (1984) : Known for "Aire" and "Japón". Entre el Cielo y el Suelo (1986)
Considerado por muchos críticos como su mejor obra. Aquí encontramos la primera gran colaboración orquestal y letras que rozan lo poético. "Hijo de la luna" (basada en una leyenda gitana), "Me cuesta tanto olvidarte" y "No es serio este cementerio" (regrabada) demuestran una versatilidad asombrosa.
The dynamic between the Cano brothers was the engine: Nacho, the melodic perfectionist with a gift for the unforgettable hook; José María, the literary composer who brought gravitas and classical ambition. Tying it all together was Ana Torroja, whose distinctive voice provided the emotional human element that prevented the electronic music from feeling cold.