The film is notable for its striking visual composition and its use of "chrono-distortion," a practical effect where the film's frame rate warps to mimic the sensation of losing time. Upon its original DVD release in 2014, Deshora gained a small but passionate following in Latin America and Europe. However, due to limited distribution rights and a lack of streaming presence, the film effectively vanished.

The film is masterfully paced, relying more on atmosphere and subtext than explosive dialogue. Sarasola-Day uses the stifling heat and the sprawling landscape to mirror the internal emotional states of the characters. As the three protagonists navigate their shared space, the air becomes thick with a specific kind of tension that is both subtle and complex. Ernesto’s fascination with Joaquín and Helena’s own shifting feelings create a triangle of human connection where no one is truly safe from their own impulses.

This paper examines the 2013 film Deshora , directed by Bárbara Sarasola-Day, as a quintessential example of the "New Argentine Cinema" movement. By analyzing the film’s oppressive use of landscape and its non-linear narrative structure, this study explores how Deshora utilizes the concept of "wrong time" (deshora) to critique social mobility and the illusion of progress in contemporary Argentina.

: Joaquín’s presence awakens repressed desires in both Ernesto and Helena. While Helena secretly nurtures a physical attraction to Joaquín, Ernesto finds himself bonding with him through rugged outdoor activities like hunting and cockfights, leading to an unpredictable and dangerous atmosphere.

Check the JustWatch Guide for the most current regional streaming availability (Netflix, MUBI, etc.).