The World Hammer Ball (WHB) is the global governing body for Hammer Ball, and the Hammer Ball Association of India (HBAI) operates under WHB as its national affiliate. We are committed to developing and nurturing Hammer Ball as a recognized sport nationwide. We aim to build a strong sporting culture by organizing district, state, national, and international tournaments, providing training programs, and ensuring fair opportunities for all players.
A triangular zone where throwers deliver precise, strategic balls to hitters for scoring powerful runs.
Special corner boxes inside the pitch where skilled hitters position to strike and control the ball effectively.
Marked running paths between hitter zones where players quickly sprint to complete scoring runs after striking.
Fielders positioned smartly in home, inner, and outer fields to stop runs and create dismissals efficiently.
A specially crafted wooden bat designed to strike power shots with control, speed, and long-distance precision.
A double-layered, injury-safe ball (80–120g) built for grip, bounce, durability, and smooth controlled throwing action.
A standard-sized field with well-marked zones, visible boundaries, and structured sections to ensure fair gameplay.
A specialized area near home field where keepers protect, defend goals, and coordinate the team’s defensive strategy.
Kerala culture values rationality and humility over feudal hero worship. This is mirrored in its stars. We see "superstars" playing characters with vulnerabilities, failures, and moral grey areas. In Drishyam , the hero is a farmer; in Mumbai Police , the hero battles amnesia. The ego is left at the door.
Despite having a smaller budget than Bollywood, Malayalam cinema is globally respected for its approach.
In the vast, polyglot landscape of Indian cinema, Malayalam cinema—affectionately known as 'Mollywood'—occupies a unique pedestal. While other industries often prioritize star power or spectacle, Malayalam cinema has consistently earned a reputation for realism, strong storytelling, and deep psychological nuance. This distinction is not accidental. It is a direct, living reflection of : its high literacy rate, its matrilineal history, its political consciousness, its secular fabric, and its unique geographical character of backwaters, spice-laden hills, and monsoon-soaked plains.
Films like Kammattipaadam (2016) offer a brutal historiography of land mafia and the eviction of Dalit and Adivasi communities from the suburbs of Kochi. Ee.Ma.Yau. (2018) is a darkly comic, surrealist exploration of death, religion, and caste hierarchy in a Latin Catholic fishing village. Maheshinte Prathikaaram (2016) uses the ultra-local setting of Idukki’s roadside photo studios and poultry farms to explore petty ego and honor, without ever leaving the specific rhythms of Keralan small-town life.
“Grandpa,” Amal said, “the soul hasn't left. It just moved into the tea shop. We stopped making heroes who can beat up fifty men. We started making heroes who look like the guy selling us lottery tickets. That’s our culture now—the beauty of the ordinary.”
Kerala culture values rationality and humility over feudal hero worship. This is mirrored in its stars. We see "superstars" playing characters with vulnerabilities, failures, and moral grey areas. In Drishyam , the hero is a farmer; in Mumbai Police , the hero battles amnesia. The ego is left at the door.
Despite having a smaller budget than Bollywood, Malayalam cinema is globally respected for its approach.
In the vast, polyglot landscape of Indian cinema, Malayalam cinema—affectionately known as 'Mollywood'—occupies a unique pedestal. While other industries often prioritize star power or spectacle, Malayalam cinema has consistently earned a reputation for realism, strong storytelling, and deep psychological nuance. This distinction is not accidental. It is a direct, living reflection of : its high literacy rate, its matrilineal history, its political consciousness, its secular fabric, and its unique geographical character of backwaters, spice-laden hills, and monsoon-soaked plains.
Films like Kammattipaadam (2016) offer a brutal historiography of land mafia and the eviction of Dalit and Adivasi communities from the suburbs of Kochi. Ee.Ma.Yau. (2018) is a darkly comic, surrealist exploration of death, religion, and caste hierarchy in a Latin Catholic fishing village. Maheshinte Prathikaaram (2016) uses the ultra-local setting of Idukki’s roadside photo studios and poultry farms to explore petty ego and honor, without ever leaving the specific rhythms of Keralan small-town life.
“Grandpa,” Amal said, “the soul hasn't left. It just moved into the tea shop. We stopped making heroes who can beat up fifty men. We started making heroes who look like the guy selling us lottery tickets. That’s our culture now—the beauty of the ordinary.”
Delhi |
National Championships
VSMarch 15, 2024
|
Mumbai |
Bangalore |
State Championships
VSApril 20, 2024
|
Chennai |
Delhi |
State Finals
3 : 1Feb 28, 2024
|
Mumbai |
Bangalore |
District Finals
2 : 0Feb 20, 2024
|
Chennai |
HAMMER BALL ASSOCIATION OF INDIA IS GOING TO BE ADD A NEW CHAPTER IN November 2025. THAT IS 2ND JUNIOR NATIONAL (U-19) CHAMPIONSHIP 2025 TO BE HELD SO...
| Pos | State | P | W | L | PTS |
|---|---|---|---|---|---|
| 1 | Puducherry | 0 | 0 | 0 | 0 |
| 2 |  Jharkhand | 0 | 0 | 0 | 0 |
| 3 |  West Bengal | 0 | 0 | 0 | 0 |
| 4 |  Uttar Pradesh | 0 | 0 | 0 | 0 |
| 5 |  Tripura | 0 | 0 | 0 | 0 |
| 6 |  Tamil Nadu | 0 | 0 | 0 | 0 |
| 7 |  Rajasthan | 0 | 0 | 0 | 0 |
| 8 |  Punjab | 0 | 0 | 0 | 0 |